| Persistence
of Vision Entertainment
Director
Michael Rissi
Producer Chuck Williams
Co-Producer Maria Lydia Rissi
Writer
Michael Rissi
Camera Cynthia Pusheck, Matt Nelson
Editor Michael Rissi
Music Mladen
Milicevic
Cast Justine
Priestley, Karen Grosso, David De Witt, Chuck Williams, Dan Roebuck,
Willard Pugh, Reggie
Bannister
EQUIPMENT
USED
Lighting
Profession Fresnel and softlights (Mole Richardson, Bardwell
McCallister
Dollies
Professional Track, homemade dolly with track wheels, Losmandy Jib Arm
Editing
Dvision Pro and Speed Razor 4.8
Sound
Mackie Mixer, Digital 16 bit 48 kHz Stereo, Audio Technica and
Sennheiser boom mics
Running Time 118 mins (movie) 3 mins
trailer
Date Completed
2-15-2001 |
Up Against Amanda from
RissiProductions.com
DIRECTOR’S NOTES ON Up
Against Amanda
A happy ending. As of December 26, 2001,
Up
Against Amanda was released worldwide by Roger Corman's New
Concorde Distribution Company. Domestically, DVD's and VHS tapes
may be purchased through any major video retailer. Or write
directly to
Info@RissiProductions.com
to order direct.
Whenever you take on the
making of a low budget picture, you know you’re going to be in for
some serious challenges – at least if you’re trying to do
something really good…and we were. When I wrote Up Against Amanda, it was my goal from
the outset to make a thriller just as fun and suspenseful as other
pictures in the genre that I’ve enjoyed over the years such as Psycho,
Fatal Attraction and Basic Instinct.
The trick was to write an engaging story using the limited
resources which were available to me and still make it stand up to the
biggies.
To
this end, the majority of the action in the movie was to take place in
the Southern California Valley neighborhood where I live, in my house
and in the houses of my neighbors who were all extremely kind and
allowed me to film in and around their homes. This kept so called “company moves” to a minimum and that
was very important.
In the beginning when this thing was
just an idea, my friend from back in my high school days, Chris Perez,
who now runs a very successful PR firm, decided that he wanted to get
involved as Executive Producer. Chris
put some investment capital
together and raised money from some true believers who also
are basically all friends. Whatever
wasn’t covered by this money was paid for by myself and my amazingly
supportive and wonderful wife, Maria Lydia (see her well-deserved
Co-Producer credit). Maria
Lydia came through many times when we were short on props, etc.
Not only is she my sweetie, but I think she’s just about the
most reliable person I’ve ever met which makes me a very lucky man.
The chief organizer and handler of
logistics on the movie was Producer Chuck Williams.
I wrote the comedy relief sidekick role of Buzz in the movie
specifically for Chuck to play. Chuck
has always primarily been interested in acting in movies and this was
extra motivation for him to be involved.
Unfortunately, during production this also meant he was often
wearing two hats and that became a real problem at times, but we
survived. Pre-production
with Chuck was a lot of fun. We rented an office on a monthly basis at a complex a few
miles in between where each of us were living at the time and set up
shop. The office was our
base of operations during auditions and crew recruitment, all of which
went surprisingly smoothly. In
those days, it was just Chuck and me and we had a lot of laughs and
really enjoyed gearing up for the making of the movie.
Then came production.
The real test. Production
is where it all comes together and also where things sometimes fall
apart. On this movie, a
good deal of action takes place at night and that was very hard on our
mostly volunteer cast and crew. We
fed everyone well and morale was mostly good.
I say “mostly” because there were some rough spots to be
sure. We had some really
wonderful people with true enthusiasm and great attitudes.
Kirk Smith, Michelle Torres, Joe Carson, Cynthia Pusheck, Mark Panik,
Jeffrey Relf, Paul Pritchard and Ben Thompson particularly stand out
in my mind as absolutely wonderful people to work with.
This movie could never have been made without their cheerful
and tireless participation. D.P.
Matt Nelson also came through for us when Cynthia had to leave after
the third week of shooting because of a previous commitment.
Incidentally, the schedule was about five weeks.

Chuck has a lot of great friends who
are actors and many of them donated their time and talents to our
movie, even if only for a day or two.
These included Dan Roebuck (Final Destination, The Fugitive),
Willard Pugh (The Color Purple), Reggie Bannister (Phantasm) and quite
a few others.
The principle leads, Justine
Priestley, David De Witt and Karen Grosso made up the “triangle”
around which the story revolves.
Justine probably had the most fun
from an acting standpoint, because she got to be really evil.
I think she enjoyed the many horrible things I came up with for
her character to inflict on others, but she also played the role with
a sense of humor along with quiet subtlety and pathos which I believe
works very well. David
was a real trooper. We
put him through some really physically challenging paces and he never
complained. He was
terrific. He also happens
to be a very natural actor. Karen
Grosso got to play an up and coming blues singer, which she did quite
convincingly and every frame she’s in benefits from her natural
beauty and sparkle.

Karen Grosso’s singing voice is
actually that of my very young aunt who also happens to be named Karen
-- Karen Lawrence. With
my aunt’s permission I was able to use many great songs by her
former band “Blue By Nature.” This added some terrific extra production value to the movie
because the music is really fabulous.
Karen is a great songwriter.
For example, she wrote the song “Prisoner” which Barbra
Streisand sang for the movie “Eyes of Laura Mars”.
The songs in our movie are no less impressive.
She also wrote a lovely, brand new song, “I Couldn’t Help
But Love You” specifically for Up Against Amanda.
Another key participant in all this
was our composer Mladen Milicevic.
I originally was contacted by Mladen over the internet years
ago when he was interested in composing music for one of my movies.
Believe it or not, we didn’t even meet in person until
something like two years after the internet contact.
He has turned out to be a fantastic friend and collaborator and
I hope we can work together again.
It’s so rare to find people who are both talented,
professional and exceptionally nice, and Mladen is just such a person.
I should add in closing that there
were many other people who contributed to the movie and I don’t have
room to mention them all or go into detail but no contribution can be
minimized on a picture of this size.
My wife Maria Lydia along with my friends John Cork, Mort
Zarcoff, Randal Kleiser and especially Chuck Williams contributed
valuable ideas and feedback during the scripting stages.
John De Rose and Mike Barker created most of the on screen
computer graphics. My
thanks go to all who were a part of Up Against Amanda.
I just hope in the near future that a really good distributor
sniffs out how special this movie is so that we can be picked up and
the rest of the world out there can see what they’re missing!
Michael Rissi
Contact Info
Info@RissiProductions.com
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